The Problem

Robert Rauschenberg, White Painting (Three Panel), 1951; painting; oil on canvas, 72 in. x 108 in. (182.88 cm x 274.32 cm); Collection SFMOMA, Purchased through a gift of Phyllis Wattis; © Estate of Robert Rauschenberg / Licensed by VAGA, New York

The problem with modernism and postmodernism is that their art and literature so often have as their primary aim being "modern" or "postmodern." "Il faut être absolument moderne [One must be absolutely modern]," said Rimbaud. This attempt to be "modern" or to be "postmodern" is ubiquitously evident in 20th-century art and literature. But this is an attempt that originates in the arrogance and blindness of believing oneself to occupy a unique and novel position in human experience. THIS IS NOT SO. The artist's manifesto should err on the side of brevity: instead of attempting "to be modern" or "to be postmodern," it would better serve simply "to be." An artist produces the most powerful and enduring work when she enacts her being rather than attempts to make propositions about it.

Fred Chappell

Fred Chappell is a poet who I believe is not read or talked about enough outside of his home state of North Carolina. He is a true master of form, and he wields the most exquisite formal experiments with such seeming ease and nonchalance. He is one of our greatest poets. Check out some of his work here and here and here.

Recent Work Available Online

Here are some links to recent work by me or related to my work available online:

• Christopher Davis' review of my book Weak Devotions
• A poem in Pedestal Magazine
• An interview with me at the American Literary Review blog
• My review of Ashley Anna McHugh's book Into These Knots in Contemporary Poetry Review

Caravaggio's "Narcissus" -- appropriate to this post...